![]() First, you choose an existing preset as a starting point, and then select some of the tags from the Browser database first seen in Absynth 4. If you want to make new Absynth sounds but never knew where to start before, the new Mutator will make you smile. Fortunately, in Absynth 5 a lot of effort has gone into making things easier to use, so let's see how successful NI have been! Mutator This makes it a favourite among sound designers, but its quirky design also means that while many users love its sound capabilities, they rapidly become rather lost when it comes to creating their own sounds. Part of the reason for its popularity is that it not only runs as a stand‑alone version or as a plug‑in instrument, but also as a plug‑in effect that can treat incoming audio. Following its humble origins as a Mac‑only release by software developers Rhizomatic in 2000, Absynth quickly joined the ranks of Native Instruments products and gained a PC version, while its semi‑modular design, wave‑shaping, granular synthesis and 68‑point envelopes also gained it a huge number of enthusiastic users. There are few soft synths that rise to the dizzy heights of a fifth incarnation, but then Absynth has always been rather different from the norm. The grain cloud options of the Aetherizer effect are stunning, and can be applied to your own audio as well to Absynth patches. ![]() NOTE: There are still known issues in Official Changelog.The fifth version of Absynth introduces even more sound-mangling features and aims to be far more user‑friendly than its predecessors. Try TRANSIENT MASTER, and youll wonder how you ever managed without it. Engineers agree that this re-shaping delivers particularly natural and musical results - and its quick and easy to get there, thanks to the simple, three-knob design. TRANSIENT MASTER effectively re-shapes the envelope, affecting the sound at its source. The Sustain control cuts or lengthens the sustain part of a sound. The Attack control emphasizes or de-emphasizes transients, making a sound more or less lively without affecting the overall level. Transients are non-tonal material at the onset of a sound. Even before EQ, you can effectively stack sounds according to the priorities of a particular mix. Generally, more Attack and less Sustain brings a sound to the front less Attack and more Sustain blends a sound into the background. As well as panning left and right, you can position things quite precisely at the front or back of a mix without juggling volume levels. TRANSIENT MASTER is indispensible for mixing drums, guitars, pianos, plucked strings - anything with intrinsic attack. When nothing else works, TRANSIENT MASTER can provide an instant mix-fix at the turn of a dial. TRANSIENT MASTER can even put life back into pre-processed, over-compressed tracks. Add subtle Attack, and your guitar is now crisp, lively, and sitting at the front of your mix. For a guitar track with muddy reverb, apply TRANSIENT MASTER and lower the Sustain to choke the reverb. Use Sustain to correct room sound on recordings. ![]() To liven things up, raise the Attack - the additional bite at the onset of each note adds presence. If a guitar track has too much pick sound, apply TRANSIENT MASTER and reduce the Attack. TRANSIENT MASTER is great on any instrument with intrinsic attack. Reduce Sustain to tighten things up or kill long reverb tails. Make snares ring out or add depth to the whole drum group by raising Sustain. The sound becomes less aggressive, and blends further back into the overall mix. Reduce Attack to calm things down - on a hissing hi-hat, for example. Raise the Attack for assertive kicks and crisp snares, or apply TRANSIENT MASTER to the whole drum group for added punch and definition. Fine-tune both Attack and Sustain to get exactly the right sound for your beats. TRANSIENT MASTER can make radical changes to a sound, or just add subtleties. ![]() TRANSIENT MASTER runs as a stand-alone plug-in within your host software. Shape your sound, and make TRANSIENT MASTER the secret spice in your mix. TRANSIENT MASTER is also a mix-fix for problematic recordings and with only three knobs - Attack, Sustain and Gain - its quick and easy to use. Its the go-to tool for positioning drums and percussion, letting you mix from front to back and dial-in just the right amount of space. Bring sounds from the back of the mix to the front.Enhance attack on drums and percussion.Fix muddy recordings, or reduce reverb.īased on a studio favorite, TRANSIENT MASTER is a must-have dynamics effect - uniquely powerful, deceptively simple and extremely useful. ![]()
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